死神假期

死神假期

本片由影视大全提供播放

爱情
立即播放
导演:
上映:
1934
更新:
2024-12-02 12:29
剧情:
  Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselve..
线路一

猜你喜欢

热舞飞扬:舞出自由
2022 6.0分 爱情
  在奥斯陆的一间小公寓里,阿玛莉和她的男友米凯尔梦想着能在街舞的国际舞台上有所突破。当两人所在的“违禁舞团”被选中参加巴黎著名的舞蹈比赛时,机会终于来了。然而在巴黎,生活却不遂人愿。团员们意识到必须改变舞蹈动作,否则就会与此次机会失之交臂。与此同时,阿玛莉因寻找她关系疏远的母亲而心烦意乱,她的母亲居住在巴黎,并经营一家芭蕾舞学校。阿玛莉搞砸了舞团的新动作,团内的紧张气氛上升,她的舞台表现也因此..
正片
滕达伯里
2024 6.0分 爱情
  When her boyfriend goes back to Ukraine to be with his ailing father, 23-year-old Dakota anxiously navigates her precarious new reality, surviving on her own in New York City.
HD中字
致所有我曾爱过的男孩
2018 10.0分 爱情
  劳拉(拉娜·孔多尔 Lana Condor 饰)是一个16岁的女孩,无论是外貌还是性格,劳拉都只能算是最普通的那一挂,把她扔在人堆里,下一秒钟你就绝对再也无法注意到她。然而,劳拉的心思细腻情感丰富,让她特别容易对男孩产生好感,但她总是将这份爱慕隐藏在心底,只是通过写信的方式来抒情,一段时间下来,劳拉积攒了不少的情书,她将这些情书藏了起来,并决定将它们当做自己永远的秘密。  可让劳拉没有想到的..
正片
告诉我你想要什么
2024 5.0分 爱情
  After his father's death, Eric Zimmerman travels to Spain to oversee his company's branches. In Madrid, he falls for Judith and engage in an intense, erotic relationship full of exploration. Eric f..
HD中字
最是橙黄橘绿时
2019 10.0分 爱情
  《最是橙黄橘绿时》是一部于2019年上映的电影,叙述关于两位女孩——冬冬与希敏,入社会后初次离家,展开如蝴蝶般蜕变的故事。由李亦捷、翁嘉薇、法比欧与各务孝太领衔主演。
HD国语
歪打正好
2025 5.0分 爱情
  富二代男主张洋,主打将叛逆进行到底!一次意外事故,让他对董事长父亲恨之入骨,情感的缺失,让他对年轻貌美的后妈产生了一种说不清道不明的关系......在学校,他对女主浪琴一见钟情,浪琴白天是弃儿们的“妈妈”,晚上摇身一变成为夜店人气颇高的性感舞女,两重身份的她背后似乎又藏着不为人知的隐情......  富二代不择手段的追爱、继子与貌美后妈的禁忌情、董事长父亲“保护伞”下的成长叛逆、身份悬殊的姐..
HD国语

《死神假期》剧情介绍

影视大全提供影视作品死神假期高清全集在线观看的影视全集网,爱情《死神假期》全集作品的导演是米切尔·莱森   ,由弗雷德里克·马奇  伊夫琳·维纳布尔  盖伊·斯坦丁  凯瑟琳·亚历山大  吉尔·帕特里克  凯瑟琳·霍华德  肯特·泰勒  亨利·崔佛斯  G·P·亨特利  莫洛尼·奥尔森  赫克托·萨尔诺  菲利普斯·斯莫利  Helen Westley  Anna De Linsky  Otto Hoffman  Frank Yaconelli  主演,死神假期在豆瓣的评分为10.0,本片由小编于2024-12-02 12:29更新,希望大家喜欢,可以把《死神假期》推荐给你朋友,本作品的地址为 https://www.72ap.com/ap/76850.html

《死神假期》简介:

  Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
  If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
  [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
  To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
  More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
  (Howard Schumann, talkingpix.co.uk)
  In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
  (Dennis Schwartz, homepages.sover.net)
  I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
  (Dave Sindelar, scifilm.org)
  See also the remake: Death Takes A Holiday (1971)

加载中...